This project explores the connection between *the linear structure of text* and its *emotional-aesthetic impact*. We identify *five fundamental relations* between consecutive sentences — labeled *A–E*. Each represents a shift of *subject-object*, i.e., a transformation of perspective and agency.
When texts grow longer, these relations form *sequences* — and from the infinite combinatorial space, *eight stable patterns (Σ₁–Σ₈)* emerge empirically. Each pattern correlates with a distinct *semantic and emotional field* — cathartic, heroic, meditative, humorous, and so on.
This allows us to instruct an LLM not through semantic prompts (“write a story about…”), but through *structural commands* — e.g., generate a narrative following sequence Σ₅ (Tragic Counterpoint). You can experiment with these archetypes directly here: [Narrative Generator](https://a2tg9zwayjuqzcpdznklve.streamlit.app/~/+/#narrative-…) or [via python](https://github.com/mihendr/Echoes-of-autonomy/blob/main/TEMA…)
Interestingly, there appears to be a parallel between these textual progressions and *musical harmony*. For example, if A–E are mapped to harmonic functions (I, IV, V, vi, ii), the narrative sequences behave like emotional “chord progressions” — where meaning flows, modulates, and resolves.
Coherence in the generated text arises not only from syntax, but from the *associative field* that the LLM constructs around these shifting relations. When asked to “switch subjects,” it spontaneously moves from Poet to Writer, preserving aesthetic continuity rather than randomness.
It might even hint at how *children acquire language*: by first sensing the melody of structural transitions, before mapping them to concepts and emotions. Such a method could eventually apply to *training neural systems*, where meaning is learned as flow — not as fixed representation.
[Full text](https://medium.com/@mihend_80107/%CF%83-manifold-manifest-e3…)
Comments URL: https://news.ycombinator.com/item?id=45698543
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